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Screening Room
Season 1 • Episode 21 • Screening Room with Hollis Frampton
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Screening Room Season 1, Episode 21: Screening Room with Hollis Frampton
A major figure in the American experimental film movement of the 1960s and ‘70s and a widely published theorist, Hollis Frampton made such acclaimed and influential films as Zorns Lemma, the Hapax Legomena series, and the unfinished Magellan. Retrospectives of his work have been shown at the Walker Art Center, the Museum of Modern Art, and elsewhere.The journal October twice devoted whole issues to Frampton, and the entire body of his work is preserved in the Royal Film Archive of Belgium. Frampton taught at Cooper Union, Hunter College, and the State University of New York at Buffalo. In January 1977, Hollis Frampton appeared on Screening Room to discuss his work and screen Lemon, Pas De Trois, excerpts from Maxwell’s Demon, Surface Tension and Critical Mass, and footage from what ultimately became Magellan." - DER website Watch Screening Room Season 1, Episode 21 Screening Room with Hollis Frampton in HD free online. Enjoy high-quality streaming of Screening Room Season 1, Episode 21 and share your thoughts in the comments below!
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Episodes
30 episodesScreening Room with John Whitney Sr.
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Les Blank, along with music writer Peter Guralnick, appeared on Screening Room in January 1973 to discuss his recent work and screen The Blues Accordin' to Lightnin' Hopkins, also footage from what later comprised Dry Wood and Hot Pepper.
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In March 1973, Hilary Harris visited Screening Room to screen and discuss films such as Longhorns, Highway, and Seawards the Great Ships, as well as footage from a work-in-progress about New York City.
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Robert Fulton appeared on Screening Room in April 1973 to screen and discuss Machu Pichu and Reality's Invisible.
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Jan Lenica appeared on Screening Room in April, 1973. He screened and discussed excerpts from his films Fantorro, Monsieur Tete, A and Labyrinth.
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Derek Lamb appeared on Screening Room in June 1973 with over a dozen films and film clips that demonstrated a wide range of animation techniques.
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Ricky Leacock visited Screening Room on June 15, 1973, with Al Mecklenburg and Jon Rosenfeld. He demonstrates super-8 sync technology and screens excerpts from his films.
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In this episode of Screening Room, Lawder demonstrates the intricacies of his home-made optical printer and shows examples of what can be achieved with rephotographing film.
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Screening Room with Ed Emshwiller
Ed Emshwiller started out as an abstract expressionist painter and an award-winning science fiction illustrator before becoming a major figure in avant-garde cinema and the experimental film movement of the 1960s and '70s. Eventually a highly respected video artist and dean at the School of Film/Videoo at the California Institute of the Arts, Emshwiller was always looking for ways to push the boundaries of film and video. He was a pioneer of computer-generated video and combining technology with art. Many of his films, including Relativity, Totem, Film with Three Dancers, and Thanatopsis received screenings and awards at New York, Cannes and other major film festivals worldwide.
Screening Room with Alan Lomax
In this episode from 1975, ethnomusicologist Alan Lomax is the guest and viewers are treated to a partitioned screening of his path-breaking 40 minute film Dance and Human History: Movement Style and Culture #1, accompanied by short interludes of Gardner/Lomax discussion before and after each segment. It is a kind of ‘lecture-demonstration’ version of the film. Skillful editing keeps viewers attention away from the fact of Gardner’s smoking most of the time.
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Screening Room with Hollis Frampton
A major figure in the American experimental film movement of the 1960s and ‘70s and a widely published theorist, Hollis Frampton made such acclaimed and influential films as Zorns Lemma, the Hapax Legomena series, and the unfinished Magellan. Retrospectives of his work have been shown at the Walker Art Center, the Museum of Modern Art, and elsewhere.The journal October twice devoted whole issues to Frampton, and the entire body of his work is preserved in the Royal Film Archive of Belgium. Frampton taught at Cooper Union, Hunter College, and the State University of New York at Buffalo. In January 1977, Hollis Frampton appeared on Screening Room to discuss his work and screen Lemon, Pas De Trois, excerpts from Maxwell’s Demon, Surface Tension and Critical Mass, and footage from what ultimately became Magellan." - DER website
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Drawing on traditions of 19th-century landscape painting and still photography, Peter Hutton’s contemplative, meticulously composed films unfold as a series of tableaux separated by black leader. His work, primarily minimalist, silent portraits of cities and landscapes, has been shown at important festivals and in major museums across Europe and the United States including the Museum of Modern Art and five Whitney Biennials. He has received the Dutch Film Critics Award, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the Rockefeller Foundation. He has taught at Hampshire College, Harvard University, SUNY Purchase, and has been a Professor of Film at Bard College since 1984.
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Screening Room with Michael Snow
Canadian Michael Snow has worked in painting, sculpture, and music as well as film, where he has proved one of the most renowned and influential of all experimental filmmakers. He played a major role in the "structural" film movement with such works as Wavelength (1967), Back and Forth (1969), and La Région Centrale (1971), exploring the world through deliberate and explicit decisions about formal approaches. Snow has been honored with solo exhibitions or film retrospectives at the Venice Biennale, New York's Museum of Modern Art, the Paris Centre Pompidou and Cinémathèque Française, and elsewhere.
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Screening Room with Robert Fulton II
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Jean Rouch appeared on Screening Room in July 1980 and screened Les Maitres Fous as well as several film excerpts including Rhythm of Work and Death of a Priest. Over a period of five decades Jean Rouch made many films about the Songhay and Dogon of West Africa. He also made, with Edgar Morin, the classic documentary, Chronicle of a Summer about the lives of Parisians. Rouch Frequently traveled with his films, showing and talking about them to a wide audience.
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Brakhage returned to the program in the fall of 1980, where he showed Window, two excerpts from Short Films: 1975, Roman Numeral Series I and Creation.
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Here is Jonas Mekas interview with Robert Gardner in October of 81. Fantastic insights into Mekas' work and other experimental filmmakers.